What Would a Professional Do
So yeah, I’m still stuck on Airworld. The main obstacle I think is my complete lack of confidence in the outline I have sketched out for the rest of the book. It sounds like it will be terrible. Nothing makes sense, nobody is anywhere for a reason, entire plotlines are pointless and stupid. And what’s worse, according to my 3-books-a-year schedule, I should be starting a new book in February. That’s less than a month away, if you’re somehow unable to look at a calendar.
So yeah, I’m still stuck on Airworld. The main obstacle I think is my complete lack of confidence in the outline I have sketched out for the rest of the book. It sounds like it will be terrible. Nothing makes sense, nobody is anywhere for a reason, entire plotlines are pointless and stupid. And what’s worse, according to my 3-books-a-year schedule, I should be starting a new book in February. That’s less than a month away, if you’re somehow unable to look at a calendar.
Let’s look at this like a professional writer. Let’s imagine that I’m under contract to deliver the first draft of a book by February 1. What would I do?
Well, I’d finish the book, that’s what. Because if I didn’t, I would develop a reputation as one of those temperamental writers who is hard to work with, and that’s probably not good, particularly for a new author. Seems pretty simple and straightforward.
Does it matter if I deliver a book with a sucky ending? My internal editor screams, “Of course it matters! Your entire life and reputation is riding on this!!” That’s probably not exactly true. But still, as someone who is supposed to be a pro, it’s not ideal. My theoretical publisher is probably expecting something they can sell. But then it’s still a first draft, the worst version of any book. I certainly wouldn’t be the first author to write a lame ending. Perhaps a theoretical editor could provide some tips to make it better. It’s also remotely possible that it’s not as bad as I think. Unlikely, but possible.
Okay, well that was easy. A pro would write the ending, deliver it, and move on.
But now let’s look at it from the view of an aspiring author who’s never published anything. Which is very realistic because that’s what I am.
My business goal right now is enticing an agent to represent me. That means I need to send out query letters. That does NOT mean I need to send out full manuscripts. If an agent is intrigued by a query letter, they will probably want to see only the first few chapters as a sample, NOT the full manuscript. They might also want a summary of the entire book. But if an agent is intrigued they will eventually want the full manuscript, so I should have it finished and ready to deliver, even if it still needs work.
So I still need to write an ending. However, re-writing the first few chapters is far more important at this point. Which means I should hurry up and finish the ending, then spend a little time revising the beginning. Then write queries. Then move on to the next project.