A Typical Day In The Life Of NaNoWriMo 2013

Last night I once again approached my NaNoWriMo writing at about 9:00, which is the absolute latest I can possibly start writing with any expectation of getting anything done. Once again I stared at a blank document, not even looking at the previous day’s writing, wondering how on earth I could possibly come up with 1,667 words to write of a story that has no outline. Not just 1,667 words either.

Last night I once again approached my NaNoWriMo writing at about 9:00, which is the absolute latest I can possibly start writing with any expectation of getting anything done. Once again I stared at a blank document, not even looking at the previous day’s writing, wondering how on earth I could possibly come up with 1,667 words to write of a story that has no outline. Not just 1,667 words either. I actually need slightly more than 2,000 words a day to catch up again.

Based on my enthusiasm level, my expectation each night is that I will sit with the blank page for a while thinking about how much I’d rather be doing something else, then I’ll write a couple of hundred terrible words, and then I’ll give up. “Well, I tried,” I’ll think. “At least I got a few hundred words down.”

That was a common scenario in the first two weeks of NaNoWriMo. (I fully recognize it to be an extremely lame effort at “trying.”) Now, however, I can’t skip a day and realistically expect to make it up another day. Now I really have to write. Now there’s a deadline looming up ahead, ready to crush me beneath its iron fist. Now is when “real writers” must shrug off the surly bonds of indifference and trudge forward through the mud.

So I’m pulling out every trick I can think of. I typically start off writing something along the lines of, “I don’t want to write.” I try to morph that into something related to the story. “Diana didn’t know what to do next.” If that doesn’t work, I’ve invented a story demon who comes along and randomly interjects himself from time to time to inform the characters that they need to get moving, or do something dramatic, or resolve something. He also points out all of the plot holes and things that would never work. I’ve also inserted a wererat character from a totally different story idea to give soliloquies on the many ways that society treats him with disdain. My last trick was changing the tense of the story from past to present. I usually disdain present tense as a gimmick, but it actually felt much easier to write that way, so I kept it up with a tiny bit of enthusiasm.

Eventually I made it to around 1800 words before 10:00 and called it quits. I would guess that fully 75% of those words would get thrown out in even the mildest of revisions, which seems about average for this manuscript so far.

Here’s the real question. If I were really writing for a living, I’m not sure if I would call that writing session a success or not. Almost none of what I wrote was “commercially viable” in any way, so I did not get any closer to a finished novel. In that sense it was a total failure. But I did write, and by the end I had forgotten how much I wanted to do something else, so in that sense it was successful. I also did in fact learn that writing in present tense felt better than writing in past tense, so that was a positive development.

I guess I’m going to mark it down as a success, whether it actually was or not.

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