So I tanked Realm of the Fae on my level 16 Bahmi warrior for the first time, using a Reaver/Paladin/Tempest build. (Technically you can queue for it at 15, but I waited until 16 so I had an AoE attack.) I was pretty nervous beforehand - tanking is stressful for me, and I had not seen RotF in about a year, and who knows what they might have changed for Storm Legion.

I now present my newbie tanking guide for Realm of the Fae (Normal). I am roughly two years late in writing this guide, but it’s actually hard to find a guide like this that isn’t written by a theorycrafter who is used to max level tanking. You can queue for RotF at level 15, but it’s probably better to wait until level 16 so you can bring an AoE attack ability with you.

I did one random expert 60 last night with my mage and got into Golem Foundry, which is one I know fairly well now (thanks to many previous PUG wipes). Everything went fine until the tank accidentally needed on a green dimension item before the last boss (the aptly-named Manslaughter) and for some reason the healer had a complete meltdown about it. None of us even noticed (including the tank) but the healer took it as a personal insult or something and we had to kick him because he stopped healing the tank.

It was a light, ordinary evening in Rift. I did a blissfully un-dramatic random expert SL dungeon (Archive of Flesh) with a good tank/healer duo and ended up with a nice purple mage dagger at the end, which is probably the best I will ever see until or unless I start raiding. So I’m in this guild, right? But it’s one of those guilds that basically takes anyone, no-questions-asked, so it’s got thousands of random people in it, so I see a lot of fellow guildies out in the wild even though I don’t know any of them.

Hrm. Over the weekend I started to realize that Rift is actually not as much fun as I thought. My mage is 60 and has a bunch of expert dungeon gear, so the only way left to advance that character is raiding with the guild, but the thought of setting up ventrillo and signing up for schedules and all that crap is not very appealing. Even the expert dungeons are kind of painful.

I’ve been on an audiobook kick lately. I realize it’s “cheating” to listen to a book instead of read it, but it’s just so darn convenient. You can actually accomplish other things simultaneously while listening to a book (like driving, washing dishes, playing games, paying bills, etc.), whereas if you read a book, it’s pretty much all you can do. Ready Player One by Ernest Cline, read by Wil Wheaton. Great nostalgia book, although I could have lived without the cliche “real world is better than the virtual world” moral.

Again, it is hard to mess up Iron Tombs on Normal. My Bahmi warrior uses a Reaver/Paladin build, with more points into damage abilities than armor/endurance abilities for better threat. I also now have a Cleric that I tank with, for which I use the standard tank preset. When you start, first determine if people need the quests. If they don’t, you can skip a lot of side stuff. The trash mobs are straightforward all throughout.

I am writing this newbie guide because there are a surprising number of people who go into the first couple of normal Rift dungeons without knowing these basics. Perhaps they have never played Rift before, or they have never played an MMO before, or they have never played in a group before. General Do remember that playing in a group requires different skills than soloing. Do avoid using tank pets because they interfere with the actual tank.

Since there are a lot of new people flooding into Rift, there have been complaints on the forums from the usual suspects about how easy it is to level. I can confirm that yes, it’s really easy to get from 1 to 50, and it’s now easier than ever. It used to be harder, but even back when it was hard, it was still pretty easy for a veteran gamer to get to 50.

I spent most of the holiday weekend queuing for lowbie dungeons with my new collection of lowbie Defiants. I’ve realized that I don’t like tanking with a warrior … dealing with the builder/finisher mechanic interferes with focusing on the tanking. Maybe I just need to forget about finishers. Anyway I generally prefer the cleric tank, where you don’t have to really do anything but spam the AoE attack. (I say that knowing full well that you almost never see cleric tanks in raids or expert dungeons.

I started listening to steampunk audiobook Leviathan by Scott Westerfeld, which I have heard from multiple sources is a great series, and the premise intrigued me as it is an alternate history of World War I. Also, later books in the series won awards and stuff. Unfortunately, nobody told me that this was a young adult series, where the two protagonists are 16-ish. In fact, I would argue that this is not just young adult, but middle grade, because the kids act like middle grade kids and are usually accompanied by adult guides.

I got into a couple of particularly bad Rift dungeon groups all in one night, and they both basically came down to a fight between the tank and the healer. “You’re a terrible tank” vs. “you’re a terrible healer.” One group was in Realm of the Fae. The tank was a dwarf warrior who clearly didn’t have a tank soul setup, and played with a two-hander generating no threat whatsoever. He didn’t attempt to gather any mobs that got away from him either.

I watched some very amusing “Let’s Play” videos of two of the GWJ guys playing Dark Souls, and decided that I finally needed to get this “killer” game. By killer I mean it has a reputation of being mercilessly difficult. So I got the “Prepare to Die” PC version from Steam. Okay. So yeah, it’s hard. But it’s not hard in the way you might think. It’s hard because the controls and camera management are impossibly obtuse for a PC game, at least initially.

I finally defeated the second boss in Dark Souls. I say “finally” because I spent quite a lot of time wandering around dying in the Undead Burg, leveling up with the meager amounts of souls I could accumulate from the skeletons there, and gathering bits and pieces of gear. I feel like I know the stretch of the map between the campfire and the boss like the back of my hand now.

I played a fair amount of Firefall over the weekend, which they are still saying is in Open Beta, driven mainly by boredom with everything else I’ve been playing. After you go to an Internet guide and read up on what it is you’re actually supposed to *do* in the game, it’s a bit more fun. Of course, that means the game itself is not providing any bread crumbs for the player, which one could argue is poor design.

I just finished the audiobook for Ender’s Game, which I have never read before. I’ve missed quite a few science fiction classics over the years, so I’m trying to make up for it with my Audible credits. The audiobook, by the way, was very well read. I don’t know what I would have thought if I’d read this book when I was younger, but now, I found it to be a tragically depressing story.

(This unpublished gem has been sitting in my drafts since April 16, 2012.) Stolen image of The Hunger Games’s book cover from Amazon.com. Okay, I have figured out the magical formula for making a hit Young Adult book. It’s really quite easy. The story elements in The Hunger Games: A smart and tough, but emotionally vulnerable hero. A love triangle with a bunch of confused feelings. A personal vendetta against a villain.

Ha ha! Wasn’t that hilarious? Anyway I’m currently bored to death with all existing MMOs, so I’ve turned to my Steam library to find a game that will hold my attention for more than a few hours. I tried Rogue Legacy, which the GWJ people raved about. I can see why they liked it, but it’s basically a side-scrolling platformer and I’ve never liked platformers. It would take me a long time to get the hang of the controls, and at least in the first hour of play, I didn’t see where there’s any reward for spending the time to learn the controls.

Finished The Walking Dead (game) Episode 3. This one seemed considerably longer and to drag a bit more than the previous two. There were times when I just wanted it to move forward without having to go through the adventure-style puzzle solving. In those times I would say that the gameplay was getting in the way of the story. I’m thinking in particular of a time on the train toward the end of the episode, when you had to get a map, but someone was in the way and wouldn’t move, so you had to find a way to get him to move on his own, but I didn’t really realize that’s what I was supposed to be doing, and the way you had to do it was pretty convoluted and strange.

I think it’s dead. Airworld, that is. It’s been almost a year since Naobi strode from her Orderhouse without looking back, determined to move forward. It was an opening sentence that was carefully crafted to show that the character had autonomy right from the very beginning, taking action instead of reacting, physically moving through space. All the things that we aspiring writers are told will make readers more likely to keep reading.

Over the weekend I decided to press on with the Assassin’s Creed series, since I rounded out my AC game collection in the last Steam sale, picking up Brotherhood, Revelations, and AC3. I played AC2 last year but for some reason I just stopped in the middle. I decided that I should finish it before I went on to the next game so I wouldn’t miss any of the cool story stuff.

I finished Assassin’s Creed II last night. Man, the storytelling in this series is really good. It ended in a cliffhanger just like the first one did. And there was actually some light gameplay *during the closing credits*. How cool is that? Anyway I started in on Brotherhood right away, which is a noticably better-looking game. It also feels a bit more like Uncharted. That is, it feels more action-oriented, with less buttons to worry about pushing.

Someone at work recommended Gone Girl by Gillian Flynn, so I got it from Audible with one of my credits. This same person also recommended Hunger Games, so my expectations were not very high. But as it turns out, Gone Girl is a pretty good psychological thriller/mystery. Overall the book makes some pretty strong feminist statements, as well as having some brutal social commentary about the state of the media and judicial system.

I started reading The Curse of Chalion by Lois McMaster Bujold … and this time, I actually *mean* reading, not listening to the audiobook. (There are people who insist that listening to an audiobook is the same as reading, but IMO they are very different media consumption experiences.) I picked it up because I saw that it was the next book in The Sword and Laser book club, so on impulse I got it.

What does “he had his liberty” mean? Say, in the early 17th century? I came across it reading Edward Wingfield’s account of his removal from the first Council in Jamestown in 1607, in the book The Jamestown Adventure. (Edward Wingfield could be considered the first elected governor of Virginia. Or the first elected president of North America. Or something along those lines.) “… Mister Kendall, taken from thence, had his liberty, but might not carry arms.