Doom’s Problems
I haven’t played very much lately. Over the last few weeks I’ve been putting time into reading up on World War I (research for what I hope will be a historical fiction story for NaNoWriMo), reading Neal Stephenson’s Seveneves, listening to Stephen King’s 11.22.63 audiobook, and even playing with composing some music in Renoise. And I’d be lying if I didn’t say the frenzy over the 2016 election has turned into a really entertaining Jerry Springer episode.
I haven’t played very much lately. Over the last few weeks I’ve been putting time into reading up on World War I (research for what I hope will be a historical fiction story for NaNoWriMo), reading Neal Stephenson’s Seveneves, listening to Stephen King’s 11.22.63 audiobook, and even playing with composing some music in Renoise. And I’d be lying if I didn’t say the frenzy over the 2016 election has turned into a really entertaining Jerry Springer episode.
A carefully un-cropped screenshot of a video player.
Gaming-wise, over the long rainy weekend, I thought I would make a push to finish recording my Doom Ultra-Violence blind playthrough. I didn’t think it would take that long, but boy was I wrong. That game just goes on and on and on and on forever. I feel like I saw everything there was to see in the game by about the halfway point, and beyond that it’s just an exhausting slog through room-to-room fighting.
You know exactly what’s going to happen every time: You get to a certain fairly obvious trigger point, then the quasi-metal music plays, a bunch of demons spawn, and you have to kill them all before you can go to the next room. At first the formula is fun, then it gets a bit tiresome, especially when you’re trying to finish it quickly.
Other than that, I have two main problems with Doom. One is the amount of exposition and narrative, which are 100% pointless in this kind of game. I really don’t need a detailed explanation for why my character is running around shooting Hell minions on Mars. I don’t need to know where they came from, who released them, or why. Even if I did, this story is not the slightest bit surprising or entertaining. Every single chapter is like, “You need to go to X, but first you’ll need to get Y and Z.”
The second problem I have with the game is the excessive size and complexity of the levels. This is a shooter. I shouldn’t have to spend half an hour trying to puzzle out how to get to the next level. Sure, I don’t mind hiding the secrets behind mazes of jumping puzzles and whatnot, but not the exit! Also these levels are enormous compared to the old Doom and Quake levels. Instead of 13 massive levels, I would have preferred to see 50 small levels.
Otherwise it’s a fun game. I wouldn’t recommend playing it on Ultra-Violence though. It’s too much work for too little payoff. I can’t even imagine playing it on Nightmare or whatever the one above that is.